Not to piss on George Orwell or nothin’
since 1984 is one of my favorite
books, but, screw Citizen Kane. It’s
in black and white for shit’s sake; the cinematography is not exactly ahead of
its time like much of Orwell’s visions. Sure, it’s a good movie, but great?
Mmm, only if you think Orwell’s steely eyes make for good acting. No, I’ve got
my own favorites you archaic ol’ movie critics.
It is an incredibly difficult task to ask me what my
favorite Top 5 of anything is. Most of what constitutes my Top 5 for any given
list depends on how many bills came in the mail yesterday, what time the cats
want to be fed, and my wife’s horoscope. Or, maybe I’m just moody. But, there
are some movies I can watch over and over again, these more than others, for
particular reasons.
5 – Saving
Private Ryan (1998) – This one narrowly beat out Platoon as my favorite war movie. While Platoon was so gritty it was heartbreaking, Saving Private Ryan added a more specific human element by
narrowing the focus of its wartime drama which resulted in me crying like a
little bitch at the end. In the beginning of the movie, an aged veteran wonders
“Was I good man?” before the movie launches into a heart-pounding D-Day
sequence that makes you never want to go to war while making us think this
movie is all about Tom Hank’s character. Oh, the swerve on that one. While
these days I question the necessity of war – some of the characters in the
movie do as well – I find it hard to spit on the humanitarian spirit of this
movie (though some critics consider the movie’s plot to be a bit ham-fisted).
By the time this one was over, I was also asking myself if I were a good man. I
still ask myself if I’m a good man every time I see it. [As a bonus, the name
of this film resulted in one of the more clever porn movie titles ever, Shaving Private Ryan.]
4 – Meatballs
(1979) – Bill Murray as a camp counselor. That right there basically screams
“instant classic.” What sets this comedy apart from other comedy of its time
for me are all the nut-ball characters among the counselors and the kids they’re
in charge of. In particular, as I was at the time something of a misfit myself,
I identified with Chris ‘Who?’ Mackepiece’s character who wasn’t much liked by
anyone but Murray’s character ‘Tripper.’ Not to rest solely on the strength of characterizations,
the movie plots a conflict with a rival camp that results in one of the most
inspiring rally speeches (by Murray) in cinematic history. I could recite the
speech even now not having seen the movie since last year, but I suggest you
watch it instead. While by now the cinematography sure seem dated (digital
re-mastering in aisle five, please!), the movie’s themes – the power of
friendships and determination – certainly are not.
3 – Rocky (1976) – Rocky defined then, now, and forever the cinematic underdog
archetype. You couldn’t get more of a longshot than boxer Rocky Balboa at the
start of this movie. Pit him against one charismatic asshole of a champion in
Apollo Creed, and you can’t help but place all your money on the guy you know
is going to lose. Only, by the time the fight enters the last round, after
Rocky gets up after Micky is yelling at him to stay down, you think this meat
bag can win. Shit, you still think
Rocky can win after he gets back up and goads Apollo after you’ve seen the
movie for the fifth time! [Partly the music’s fault; a flawlessly scored movie
by Bill Conti.] I still recall seeing this movie in the theater with my father
and everyone was literally cheering the screen for Rocky to win. You don’t
forget stuff like that, ever (particularly the fact that Stallone acts in this one). Now, Rocky is the film by which all other
underdog films are judged by.
2 – Pink
Floyd’s The Wall (1982) – The sucker punch of emotions, wicked animation,
and of course the music results in one of the greatest movies of all time and
certainly the greatest movie musical of all time. (Chicago and Grease are
also great but are nowhere near my Top 5.) The main character, Pink; this guy’s
got issues. Not only does he have an abandonment issue with his father dying in
WWII, that abandonment issue results in mommy issues as well. He has alienated
himself so thoroughly that his wife takes up with another man, leaving Pink to
construct a mental ‘wall’ to keep others out. (As Pink is a musician, his
‘wall’ also manifests itself through his art, providing biting social
commentary.) Give Pink some drugs while he tries to break through all the
madness and you’re left with one really f’ed up movie. Oh, and his teacher
doesn’t like him, not one bit. Many people believe Roger Waters was insane when
he wrote The Wall but that belief
depends on where you think that fine line between madness and genius actually
is.
1 – The Matrix
(1999) – Forget the sequels for a moment and consider this movie on its own
terms. When this movie came out I was just beginning to get deep into
philosophy. While many philosophers deride The
Matrix for superficially addressing its philosophical topics, the sheer
number of philosophical conundrums raised by noir rebels and the guardians of
the titular ‘matrix’ alike is mind-boggling (pun intended). Then there’s the
matter of the special effects which were groundbreaking for its time, set a
standard, and almost twenty years later have aged well. Throw in some awesomely
choreographed kung fu and bullet riddled carnage, and this is a great movie for
people who enjoy having their thoughts provoked while fists fly. I can recite
this movie almost word for word much to the annoyance of basically everyone. I
suspect you’re all Agents…