The premise
behind filming the movie is interesting enough: Film a movie over ten years
using the same actors and hope no one dies before shooting is complete. Fustratingly,
this is the only interesting thing about the movie. Clocking in at an completely
unnecessary two hours and forty-five minutes, Boyhood is an achingly slow, utterly boring peek into the lives of
one of the most uninteresting families in cinematic history. As the film has no
plot, you begin wondering why this wasn't shot as a documentary on someone
growing up over the course of twelve years. Such a documentary would have been far
more interesting, that is, until you recall how much more interesting your own
mundane childhood was compared to what ‘happens’ in this movie. This movie has
nothing going for; least of all the characters. The film's protagonist - played
by Ellar Coltrane - is a mumbling stick in the mud who is such a non-entity
that bullies don't even bother to take the time to beat him up. Ethan Hawke,
though at his squirrely best, can't save this experiment because he’s simply given
nothing to work with. Rather, it's up to Patricia Arquette to hold your
interest as you wait for the next year in the movie to pass just to see how
much more weight she can pack on. The movie mercifully ends as our protagonist
finally figures out what two-year olds have been trying to tell us for ever;
it's always right now. THAT’S the movie’s idea of a pay-off. Or is it ’rip-off’?
If this is all our director Linklater has left in the tank, his license to film
should be revoked before he kills again. The accolades this movie has received
from critics is exactly why no one listens to critics anymore.
Sunday, January 11, 2015
I Watched It So You Don't Have To: Boyhood
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